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Monologue for an Onion


Do you have a favorite poem of the moment, of the month, of the year? Or even (gulp) of all time?

Here's my favorite of the moment. It's by Suji Kwock Kim.

Monologue for an Onion

I don't mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion -- pure union
Of outside and in, surface and secret core.

Look at you, cutting and weeping. Idiot.
Is this the way you go through life, your mind
A stopless knife, driven by your fantasy of truth,

Of lasting union-- slashing away skin after skin
From things, ruin and tears your only signs
Of progress? Enough is enough.

You must not grieve that the world is glimpsed
Through veils. How else can it be seen?
How will you rip away the veil of the eye, the veil

That you are, you who want to grasp the heart
Of things, who want to know where meaning
Lies. Taste what you hold in your hands: onion juice,

Yellow peels, my stinging shreds. You are the one
In pieces. Whatever you meant to love, in meaning to
You changed yourself: you are not who you are,

Your soul cut moment to moment by a blade
Of fresh desire, the soil strewn with abandoned skins.
And at your inmost circle, what? A core that is

Not one. Poor fool, you are divided at the heart,
Lost in its maze of chambers, blood, and love,
A heart that will one day beat you to death.


13 Comments

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Thanks.

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you're welcome :-)

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Also thank you from me. A remarkable coincidence that it is a very useful sentiment at this particular moment in my life. My favorite poem is “The Odyssey A Modern Sequel” by Nikos Kazantzakis. It is twenty-four books long but the Prologue contains a few lines of exhortation I try to remember all the time:

Fold up your aprons, craftsmen, cast your tools away,

Fling off Necessity’s firm yoke, for Freedom calls.

Freedom, my lads, is neither wine nor a sweet maid,

Not goods stacked in vast cellars, no, nor sons in cradles,

It’s but a scornful, lonely song the wind has taken…

Come, drink of Lethe’s brackish spring to cleanse your minds,

Forget your cares, your poisons, your ignoble profits,

And make your hearts as babes, unburdened, pure and light.

O brain, be flowers that nightingales may come to sing!

Old men, howl all you can to bring your white teeth back,

To make your hair crow-black, your youthful wits go wild,

For by our Lady Moon and our Lord Sun, I swear

Old age is a false dream and Death but fantasy.

All playthings of the brain and the soul’s affectations,

All but a mistral’s blast that blows the temples wide;

The dream was lightly dreamt and thus the earth was made;

Let’s take possession of the world with song, my lads!

The Odyssey A Modern Sequel, Nikos Kazantzakis, translated by Kimon Friar, Simon and Schuster 1958

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I love that line "The dream was lightly dreamt and thus the earth was made."  I'll have to see if I can find this in the library tomorrow.

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I don't know that I've got a current favorite poem, probably because I'm more of a prose reader.  But here's one that caught my fancy several years ago.

An Attempt at Jealousy
by Marina Tsvetaeva
from The Penguin Book of Russian Verse, 1962
reprinted in The New York Review of Books
page 36, 13 Feb 2003

What is your life like with another woman? Simpler, isn't it? A stroke of the oar! Did the memory of me, a floating island (in the sky, not in the waters), soon recede, like a coastline? . . .

Souls, O Souls, you will be sisters, not lovers!

What is your life like with an ordinary woman? Without the divine? Now that you have dethroned your queen and have yourself renounced the throne, what is your life like? How do you busy yourself? You are you shivering? How do you get up [from your bed]? How do you manage to pay the price for immortal triviality, poor fellow?

"I’ve had enough of convulsions and palpitations--I'll rent a house!" What is your life like with a woman like any other, you, my chosen one?

Is the food more congenial and eatable? Don't complain if you get sick of it! What is your life like with a semblance--you who have trodden upon Sinai?

What is your life like with a stranger, a woman of this world? Tell me point-blank: do you love her? Does shame, like Zeus's reins, not lash your brow?

What is your life like? How is your health? How do you sing? How do you cope with the festering wound of immortal conscience, poor fellow?
What is your life like with a market commodity? The price is steep, isn't it! After the marble of Carrara what is your life like with a piece of crumbling plaster of Paris?

(God was hewn out of a block, and has been smashed to bits!) What is your life like with one of a hundred thousand women--you who have known Lilith?

Have you satisfied your hunger with the new market commodity? Now that the magic has lost its power over you, . . . what is your life like with a woman of this earth, without either of you using a sixth sense?

Well, cross your heart: are you happy? No? In a pit without depth what is your life like, my beloved? Harder than my life with another man, or just the same?

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How do you manage to pay the price for immortal triviality, poor fellow?

Oh, snap!

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I'm not much of a poetry guy...but I did just cut up an onion for tonight's roast.

:-)

(I did. Really!)

 

Our obligation is to define the liberty of all, not to mandate our own moral code. -- SCOTUS that was...

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Poems, recipes, practically the same thing...

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It's hard to beat Muhammad Ali:

Me.

Whee!

--

Howard

*equal opportunity offense to both extremes*

"Those who cannot remember the past are condemned to repeat it" [George Santayana]

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And one of my all-time favorites from Robert Frost:

Acquainted with the Night

I have been one acquainted with the night.
I have walked out in rain -- and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good bye;
And further still at an unearthy height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

 

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Sekou Sundiata died yesterday...

the sound of the memory

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Winter Trees

The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees
Seem a botanical drawing—
Memories growing, ring on ring,
A series of weddings.

Knowing neither abortions nor bitchery,
Truer than women,
They seed so effortlessly!
Tasting the winds, that are footless,
Waist-deep in history—

Full of wings, otherworldliness.
In this, they are Ledas.
O mother of leaves and sweetness
Who are these pietàs?
The shadows of ringdoves chanting, but easing nothing.

- Sylvia Plath

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My favorite poem is T.S. Eliot's Four Quartets. It's very long. It's dense. It's a meditation on so many things, a mystical poem really. There are some lines that my favorites, including:

The only wisdom we can hope to acquire
Is the wisdom of humility: Humility is endless.

I also love this line:

...Words, after speech, reach
Into the silence.

And this:

There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.

And this:

Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it.

This too:

Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

 

 

And finally:

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.

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