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On National Poetry Month: "Static of the Stars"


This is intended to be a somewhat continuing series in honor of National Poetry Month. I intend to post this series two or three times a week throughout the month of April with various themes.

The theme for this offering is, "Static of the Stars."

In this and each of the offerings, I will present some poetry of note and a few of my own. I would hope that in the comments, a poem that follows the theme, original or one dear to the heart, might be shared.

 

With that, let's continue the series with...

 

 

Static of the Stars

 

 

 

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

-- Langston Hughes  
"Dream Deferred"

 

 

I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can give me any word but Wait,
The puny light. I keep my eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love.

-- Gwendolyn Brooks  
"My Dreams, My Works, Must Wait Till After Hell"

 

 

I want to sleep the dream of the apples,
to withdraw from the tumult of cemetries.
I want to sleep the dream of that child
who wanted to cut his heart on the high seas.

I don't want to hear again that the dead do not lose their blood,
that the putrid mouth goes on asking for water.
I don't want to learn of the tortures of the grass,
nor of the moon with a serpent's mouth
that labors before dawn.

I want to sleep awhile,
awhile, a minute, a century;
but all must know that I have not died;
that there is a stable of gold in my lips;
that I am the small friend of the West wing;
that I am the intense shadows of my tears.

Cover me at dawn with a veil,
because dawn will throw fistfuls of ants at me,
and wet with hard water my shoes
so that the pincers of the scorpion slide.

For I want to sleep the dream of the apples,
to learn a lament that will cleanse me to earth;
for I want to live with that dark child
who wanted to cut his heart on the high seas.

-- Federico Garcia Lorca
"Gacela of the Dark Death"

 

 

 
Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.

Other makings of the sun
Were waste and welter
And the ripe shrub writhed.

His self and the sun were one
And his poems, although makings of his self,
Were no less makings of the sun.

It was not important that they survive.
What mattered was that they should bear
Some lineament or character,

Some affluence, if only half-perceived,
In the poverty of their words,
Of the planet of which they were part.

-- Wallace Stevens
"The Planet On The Table"

 

 

They deliver the edicts of God
without delay
And are exempt from apprehension
from detention
And with their God-given
Petasus, Caduceus, and Talaria
ferry like bolts of lightning
unhindered between the tribunals
of Space & Time
The Messenger-Spirit
in human flesh
is assigned a dependable,
self-reliant, versatile,
thoroughly poet existence
upon its sojourn in life
It does not knock
or ring the bell
or telephone
When the Messenger-Spirit
comes to your door
though locked
It'll enter like an electric midwife
and deliver the message
There is no tell
throughout the ages
that a Messenger-Spirit
ever stumbled into darkness

-- Gregory Corso
"Destiny"

 

 

 

The extraordinary patience of things!
This beautiful place defaced with a crop of surburban houses-
How beautiful when we first beheld it,
Unbroken field of poppy and lupin walled with clean cliffs;
No intrusion but two or three horses pasturing,
Or a few milch cows rubbing their flanks on the outcrop rockheads-
Now the spoiler has come: does it care?
Not faintly. It has all time. It knows the people are a tide
That swells and in time will ebb, and all
Their works dissolve. Meanwhile the image of the pristine beauty
Lives in the very grain of the granite,
Safe as the endless ocean that climbs our cliff.-As for us:
We must uncenter our minds from ourselves;
We must unhumanize our views a little, and become confident
As the rock and ocean that we were made from.

-- Robinson Jeffers
Carmel Point

 

 

Scars and Then Wings

by

Justice Putnam

 

The fuselage cast
A reflected beacon
That traveled along
Invisible
Hills and pastures

Occasionally
Illuminating
Windows and streams
.

(San Francisco, California 2001)

 

Toward An Understanding Of Metropolitan America

by

Justice Putnam

 

We lived in cities
Worshipped in shafts of steel
Carried the disease of ignorance

Infecting mountains with jet thunder
Forests wet with water poison
Sands moved by tumult and wind

We see the moon on the crust
Of a jagged sea
White thorns advancing
Broken glass water

We illuminated the night
We fear a kiss
We are strangers

(Muir Beach, California 1988)

 

Calloused Innocence

by

Justice Putnam

 

For clarity
Embrace havoc
Lay down with rabid wolves.

Evoke the memory
Older than our lives
Circulating within our very blood.

Community
Homelessness

Wild Providence.

(Portland, Oregon 1981)

 

Static of the Stars

by

Justice Putnam

 

Though I walk
Among the seeing
In a so called
Reality

Of time and greed
Power and lust

A so called
Security.

I know it
Is sound that
Really matters

Some think
It is the
Static of the stars

The roaring waves
Or the howling wind

I say
It is
The beating
Of her heart.

I once
Burned all
My bridges
Behind me

So that
To loneliness
I would be led.

I wanted a
Drink of sympathy

I tilted back
An empty cup
Instead.

I wanted
To paint
A picture
Of my reflections

Maybe
Shade over
The ideals
From my past

We might
All seek
Lasting love

But how many
Make love last?

And now I walk
Among the seeing

In a so called
Reality

Of time and greed
Power and lust

A so called
Security

I know it
Is sound that
Really matters

Some think
It is the
Static of the stars

The roaring waves
Or the howling wind

I say
It is
The beating
Of her heart.

(Sausalito, California 1986)

 

Yosemite Haiku

by

Justice Putnam

 

I

Invisible sits
The pheasant in red maple
Two solitudes dance

II

Cold alpine spring day
Hydrogen nuclear air
A ram at birth breathes

III

Red Columbine sways
Snow-plant not easily seen
Rock-fringe White Heather

IV

Blue meadow wind wave
Stream collapses hard down stone
Clouds shadow white rock

V

Still time of bare oak
Ancient destiny blossoms
Sky-tear pilgrimage

VI

No thing is solid
Clouds reflect upon the lake
Granite cliffs shatter

(Lake Ostrander--Yosemite, California 1985)

 

© 2009 by Justice Putnam
Fleur de Sel Musique
and Mechanisches-Strophe Verlagswesen

 
 

11 Comments

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Hey Baby!

Hey, hey, Baby!

Can you feel it too?

Everything is different,

Suddenly there are too many dimensions. What we see has new shapes and no boundaries.

What we know we don't understand, what we understand has new meaning.

Pitch blackness is now phosphorescent and the stars shine with brand new colors.

The paths of the planets have skewed. Science can't help us.

Even as astronomers gaze with wonder and try to understand,

Their scopes bend to see the old way.

We need a new picture. Not a photograph for sure,

That is too much reality, we need truth. We need an artists drawing,

Maybe black on white with a fine pencil,

Negative space tells most of the story.

Or maybe done with delicate shading in charcoal.

Or maybe stark lines etched in layers of color.

And layers of memory.

Or maybe a picture of something old seen in a new way,

Or maybe of something new, seen at last.

I wish I were an artist, because I just glimpsed that something

And if I could, I would capture that something

I'd cast it in hope and gold,

And then I would shine it every day

So that we could lay in its glow every night.

Its light would hold my fears at bay,

And from your touch would flow the knowledge

That there's more beyond the light

And it would brace me

To reach out to the wolves.

Hey, baby, hey baby, hey baby, hey!*

Hey baby, HEY baby, HEY baby, hey.!


*From “Hey Baby Hey” by Greg Brown.

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Thank you for that!

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Thanks, Justice. I wrote this about a year ago and it seemed like it might go with todays theme. Although I occasionally write something, I have read very little poetry ever, so since you started contributing here you have become my most read. Lots of good stuff.

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Glad to add your day!

Thanks...

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(This poem was inspired by the title of an old Raymond Scott tune. I made it up while lying in a hospital bed. Having no paper to write on, I had to keep repeating it in my head until morning when I could write it down.)


Yesterday's icecubes are water today,
What once was cool has melted away,
Evaporation must come to us all,
Back up to the clouds so the rain can then fall,
Fall to the stream, flow to the river,
from faucet to freezer we soon start to shiver,
We're back being icecubes,
don't know where or when,
we just know the process starts over again,
Our minds try to tell us there is only the Now,
As if Life after Now is a fiction somehow,
But the soul goes on being,
though each time here is fleeting,
To glimpse the eternal,
well ... that would be cheating,
For we are just icecubes,
at being cool, we're the best,
We can understand melting,
but have to trust all the rest.

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That was cool! Hope you're feeling better from the hospital stay.

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Justice:
This series is such a gift. Thank you.

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My pleasure!

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JP, you cited two of my favorite American poets here: Langston Hughes and Robinson Jeffers. My first introduction to Jeffers came from a source that surprises many when I tell them, but I doubt it will surprise you, because his writing was far more that what most cheapen it to have been: Dr. Hunter S. Thompson, who published, "Be Angry At The Setting Sun in "Fear and Loathing on the Campaign Trail 1968".

Also, I just defended Ferlinghetti in another blog post. For one who claims he does not really appreciate poetry, I sometimes manage to surprise myself...

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I've been a big fan of Thompson since Hell's Angels, but I came across Jeffers on my dad's shelves at home; Thompson, too.

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I read most of "Fear and Loathing on the Campaign Trail", in the Rolling Stone installments. Then at my base in 1970, the book was in heavy rotation. Thompsom's depiction of Clinton in "Better Than Sex", was more prescient than anyone else's back in '92. It was creepy reading about his interview with Clinton, set up by Carville, about the bubba of an Arkansas Governor presidential candidate talking about putting 100,000 more police officers on the streets of America, as he munched down on pork-rinds soaked in Tabasco sauce, and that the only sensible person in the interview was a whacked-out Rolling Stone correspondent, Will Greider, who kept talking about the Bank of Bangladesh.

Jeffers may be my favorite poet of all, and he is still relevant today:
-----------
Two wars, and they breed a third.
Now guard the beaches,
watch the north,
trust not the dawns.
Probe every cloud.
Build power.

Fortress America may yet for a long time stand,
between the east and the west, like Byzantium.

--As for me:
laugh at me.
I agree with you.
It is a foolish business
to see the future and screech at it.

One should watch and not speak.
And patriotism
has run the world through so many blood-lakes:
and we always fall in.

"So Many blood Lakes", Robinson Jeffers

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