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On National Poetry Month: "State of the Union"


This is intended to be a somewhat continuing series in honor of National Poetry Month. I intend to post this series two or three times a week throughout the month of April with various themes.

The theme for this offering is, "State of the Union."

In this and each of the offerings, I will present some poetry of note and a few of my own. I would hope that in the comments, a poem that follows the theme, original or one dear to the heart, might be shared.

 

With that, let's continue the series with...

 

State of the Union

 

 

Here is fresh matter, poet,
Matter for old age meet;
Might of the Church and the State,
Their mobs put under their feet.
O but heart's wine shall run pure,
Mind's bread grow sweet.
That were a cowardly song,
Wander in dreams no more;
What if the Church and the State
Are the mob that howls at the door?
Wine shall run thick to the end,
Bread taste sour.

-- William Butler Yeats
Church And State

 

 

God fashioned the ship of the world carefully.
With the infinite skill of an All-Master
Made He the hull and the sails,
Held He the rudder
Ready for adjustment.
Erect stood He, scanning His work proudly.
Then -- at fateful time -- a wrong called,
And God turned, heeding.
Lo, the ship, at this opportunity, slipped slyly,
Making cunning noiseless travel down the ways.
So that, forever rudderless, it went upon the seas
Going ridiculous voyages,
Making quaint progress,
Turning as with serious purpose
Before stupid winds.
And there were many in the sky
Who laughed at this thing.

-- Stephen Crane
God Fashioned the Ship of the World

 

The glories of our blood and state
Are shadows, not substantial things;
There is no armour against fate;
Death lays his icy hand on kings.
Sceptre and crown
Must tumble down,
And in the dust be equal made
With the poor crooked scythe and spade.

Some men with swords may reap the field,
And plant fresh laurels where they kill;
But their strong nerves at last must yield,
They tame but one another still.
Early or late,
They stoop to fate,
And must give up their murmuring breath,
When they, pale captives, creep to death.

The garlands wither on your brow,
Then boast no more your mighty deeds;
Upon death's purple altar now,
See where the victor-victim bleeds.
Your heads must come
To the cold tomb;
Only the actions of the just
Smell sweet and blossom in their dust.

-- James Shirley
The Glories of our Blood and State

 

 

Cities and Thrones and Powers,
Stand in Time's eye,
Almost as long as flowers,
Which daily die:
But, as new buds put forth
To glad new men,
Out of the spent and unconsidered Earth,
The Cities rise again.

This season's Daffodil,
She never hears,
What change, what chance, what chill,
Cut down last year's;
But with bold countenance,
And knowledge small,
Esteems her seven days' continuance,
To be perpetual.

So Time that is o'er -kind,
To all that be,
Ordains us e'en as blind,
As bold as she:
That in our very death,
And burial sure,
Shadow to shadow, well persuaded, saith,
"See how our works endure!"

-- Rudyard Kipling
Cities and Thrones and Powers

 

 

 

But I love the I, steel I-beam
that my father sold. They poured the pig iron
into the mold, and it fed out slowly,
a bending jelly in the bath, and it hardened,
Bessemer, blister, crucible, alloy, and he
marketed it, and bought bourbon, and Cream
of Wheat, its curl of butter right
in the middle of its forehead, he paid for our dresses
with his metal sweat, sweet in the morning
and sour in the evening. I love the I,
frail between its flitches, its hard ground
and hard sky, it soars between them
like the soul that rushes, back and forth,
between the mother and father. What if they had loved each other,
how would it have felt to be the strut
joining the floor and roof of the truss?
I have seen, on his shirt-cardboard, years
in her desk, the night they made me, the penciled
slope of her temperature rising, and on
the peak of the hill, first soldier to reach
the crest, the Roman numeral I--
I, I, I, I,
girders of identity, head on,
embedded in the poem. I love the I
for its premise of existence--our I--when I was
born, part gelid, I lay with you
on the cooling table, we were all there, a
forest of felled iron. The I is a pine,
resinous, flammable root to crown,
which throws its cones as far as it can in a fire.

-- Sharon Olds
Take the I Out

 

 

we were never caught

we partied the southwest, smoked it from L.A. to El Dorado
worked odd jobs between delusions of escape
drunk on the admonitions of parents, parsons & professors
driving faster than the road or law allowed.
our high-pitched laughter was young, heartless & disrespected
authority. we could be heard for miles in the night

the Grand Canyon of a new manhood.
womanhood discovered
like the first sighting of Mount Wilson

we rebelled against the southwestern wind

we got so naturally ripped, we sprouted wings,
crashed parties on the moon, and howled at the earth

we lived off love. It was all we had to eat

when you split you took all the wisdom
and left me the worry

-- Wanda Coleman
In That Other Fantasy Where We Live Forever

 

 

Between The Euphrates and The Potomac

by

Justice Putnam

 

It might have begun
In the month of Rajab

But I'm sure it was before
The year 490

The sad thing
Is that it continues
To this day.

We were told
It was about
Sacrament

Icon mythology

We were told it
Was about
The fluid of decay.

But it was about

Children dying
Underground

Buried up to
Their education

While the true believers
Stared up at the sky.

The greatest fear
Is that people will bear
Their ignorance and

Humiliation

Just like they
Are mesmerized.

But everywhere
That the innocent die

I pray

Somewhere
At least
One person

Will wonder
Why.

(San Francisco, California 1990)

 

Bless Me Father

by

Justice Putnam

Bless me Father
For I have sinned

It's been so long
Since my
Last Confession

Give me penance Father
I'm on bended knee
My heart is crying

No amount of Hail Mary's
Or Acts of Contrition
Can Absolve me.

I gave my parents
A lot of grief
But that doesn't compare
To my evil deed

Give me penance Father
I'm on bended knee
My heart is crying

One summer's night
I stole a neighbor's purse
But Father I've done
Something so much worse

Give me penance Father
I'm on bended knee
My heart is crying

Really Father I've tried
To live an honest life
And I know I haven't
Really done things right

Give me penance Father
I'm on bended knee
My heart is crying

I've been known to carouse
Like a soldier will
But my sin
Is so much bigger still

Give me penance Father
I'm on bended knee
My heart is crying

Somewhere near
The Tigris River
Somewhere north
Old Baghdad

Lies an old woman
In widow's shrouds

I shot her dead.

The Sarge said
It's kill or be killed
But Father still
I shot her dead.

Bless me Father
For I have sinned

It's been so long
Since my
Last Confession

Give me penance Father
I'm on bended knee
My heart is crying

No amount of Hail Mary's
Or Acts of Contrition
Can Absolve me.

(San Francisco, California 2004)

 

South of the Border

by

Justice Putnam

I'm playing my cadenza
In a boxcar near Del Mar

Tomorrow
I'll have to pitch a tent

What little was
Of my pension
I just had to cash in

And then it was
Immediately spent

(By going south of the border
South of the border
South of the border
Going south

South of the border
South of the border
South of the border
Going south)

I can cobble shoes
To last half a lifetime

Manufacture steel
That would never
Show a dent

But the buyers
Of the company

Said they found
A better way

For the stockholder's monies
To be spent

(By going south of the border
South of the border
South of the border
Going south

South of the border
South of the border
South of the border
Going south)

I went from Bangor
All the way to San Diego

Every where the same story
Of the jobs
Just up and went

How our Country
Is now a Homeland
Our children have
Turned to Soldiers

They've just been
Ordered by the President

(To go south of the border
South of the border
South of the border
Going south

South of the border
South of the border
South of the border
Going south)

Maybe I'll wear
A white linen suit
Like Malcolm Lowry

Maybe I'll attain
An affectation and
Diplomat air

When my days
Are numbered
And my time is at hand

Would the Country
Or the Company
Even care

(That I died south of the border?

I died
South of the border

I died

Going south)

 

(Guadalajara, Mexico 2006)

 

Blue River

by

Justice Putnam

Blue River flowing
Evergreen slowly
Azure sky glowing
In the rain

Alpine meadow
Profuse with color
A deer walking
In the rain

Shocked awaking
Startled standing
A rumble and then sirens
Like a train

City street screaming
Avenue scheming

Steel buildings
Falling in the rain

Broken window vacant
Concrete embankment

An old woman sleeping
In the rain

Sighs in the night
Foot step fallen ground
Lulled just like
On a moving train

Blue River flowing
Slanted wind blowing
An old woman
Sleeping in the rain

(Los Angeles, California 1988)

 

The Big Sky

by

Justice Putnam

A manual of style
I transposed what I read
A strange pilgrimage
Took me back to Main Street instead

A chair by the airframe
Difficult women to love
A song of September
Remember
The Big Sky above?

The magnolias smelled so glorious
As I keyed in the code
Main Street became a strip mall
Along a main road

Wine and a teardrop
A heart and a moon
A windy salvation
A prayer
At high noon.

I'm leaving expectations
I've been down and out
Forgotten assignments
While heading south

I'm a dancer confessing
On a Promethean stage
A choreography
Of a disenchanted
Ballet.

I could write you a history
You could hold so dear
When your daughters
Could walk without
Any fear

But that is just a fiction
It's just a novel device

Because women fall with
Burning buildings
From out of
The Big Sky.

(New York, New York 2002)

 

 

Life and Impermanence

by

Justice Putnam

I want to love
And write
And be.

I want to touch
The body of
Passion

And embrace
Our souls

Which is the whisper
Of God.

I want to see
And be
The light

Falling through
Tear-drops
Of sky

Fragment into
Distinct colors
Held in a shimmer
But for a moment

And then disappear.

I want to be a warm kiss
On red lips
Under a rice-paper
Moon

To touch in laughter
And embrace in tears

To be the
Song
And the
Dance.

I am a strong heart

My chest is hard
And brown.

I lay in the tent
Of wonder

Sing the
Prayer of her
Name

And her name is
The World.

I arise every
Morning.

Gather berries
For children of
The next
Village

Gather flowers for
Shrines along the
Road.

(Bastia, Corsica 1994)

 

© 2009 by Justice Putnam
Fleur de Sel Musique
and Mechanisches-Strophe Verlagswesen


21 Comments

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Heartsoul Nation

Back to the then time,
Back to the now.
Mesh them together,
And they breathe somehow.

The soul of a nation,
By a dream it was bound,
Destroyed by the madmen,
With hardly a sound.

A voice of dissent,
Was made to seem small,
Like no one had spoken,
No one at all.

When no one can hear you,
When freedom can't grow,
Step into the dreamtime,
Inhale in the know.

Walk in the fearless
Attend to the fires,
Earn back the spirit,
From the cowardly liars.

In the nothing noise,
It's easy to hear,
Grandfather voices,
Reverb in the ear.

Self-evident truths,
In a nation of laws,
Must flourish again,
Despite all the flaws.

Bring out the honor,
Bring out the trust,
From the time of the dream,
And the minds of the just.

The national heartsoul,
That binds us as kin,
Releases our freedom,
To be strong again.

~Wah-big-wan-ah-bin-oo-je

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Very nice, flower!

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So good to see this poem, flower. :)

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Beautiful poem, Flower!! Love it!

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You started something here Justice.

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Thanks, dd.

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Shine, Perishing Republic -- Robinson Jeffers

Well, I think his poem dates from 1927 or so ...

Thanks.

mp

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Jeffers is one of my favorite poets; thank you for covering up my neglect!

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You won't find me saying anything but good things about people writing poems in National Poetry Month. I wish there were some lines from Robert Burns here. I'll look around for some that might fit.

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Fareweel to a' our Scottish fame,
Fareweel our ancient glory;
Fareweel ev'n to the Scottish name,
Sae famed in martial story!
Now Sark rins over Solway sands,
And Tweed rins to the ocean,
To mark where England's province stands—
Such a parcel of rogues in a nation!

What force or guile could not subdue
Thro' many warlike ages,
Is wrought now by a coward few,
For hireling traitor's wages.
The English steel we could disdain,
Secure in valour's station;
But English gold has been our bane—
Such a parcel of rogues in a nation!

O, would or I had seen the day
That treason thus could sell us,
My auld grey head had lien in clay
Wi' Bruce and loyal Wallace!
But pith and power, till my last hour,
I'll mak this declaration:
We're bought and sold for English gold—
Such a parcel of rogues in a nation!

-- Robert Burns
"Fareweel To A'Our Scottish Fame"

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A good one. Makes the blood rise a bit don't you think?

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yes, it burns... Robbie Burns...

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I posted a Robert Burns poem at the blog about homelessness. Figured you'd think that was also appropriate. Can't help but post it here too.

A Man's A Man For A' That (Robert Burns)

Is there for honest Poverty
That hings his head, an' a' that;
The coward slave-we pass him by,
We dare be poor for a' that!
For a' that, an' a' that.
Our toils obscure an' a' that,
The rank is but the guinea's stamp,
The Man's the gowd for a' that.

What though on hamely fare we dine,
Wear hoddin grey, an' a that;
Gie fools their silks, and knaves their wine;
A Man's a Man for a' that:
For a' that, and a' that,
Their tinsel show, an' a' that;
The honest man, tho' e'er sae poor,
Is king o' men for a' that.

Ye see yon birkie, ca'd a lord,
Wha struts, an' stares, an' a' that;
Tho' hundreds worship at his word,
He's but a coof for a' that:
For a' that, an' a' that,
His ribband, star, an' a' that:
The man o' independent mind
He looks an' laughs at a' that.

A prince can mak a belted knight,
A marquis, duke, an' a' that;
But an honest man's abon his might,
Gude faith, he maunna fa' that!
For a' that, an' a' that,
Their dignities an' a' that;
The pith o' sense, an' pride o' worth,
Are higher rank than a' that.

Then let us pray that come it may,
(As come it will for a' that,)
That Sense and Worth, o'er a' the earth,
Shall bear the gree, an' a' that.
For a' that, an' a' that,
It's coming yet for a' that,
That Man to Man, the world o'er,
Shall brothers be for a' that.

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Thanks for a' that!

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Blessings upon you, MacCrea. :)

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Wrote this a few years ago, when I was somewhat angry at the world:

On My Last Sciatic Nerve

I paid for my sins at the local bank
And the next day it was robbed
I ran far away from the madding crowd
Only to join the Mob

I can’t accept the thought of heaven
When I’m living here in hell
And I find your pitches boring
When you’ve nothing left to sell

I’m a cynical jaded realist
A lost and faded lyricist
If on saving me you do insist
Please realize I may resist

People tell me this is just a phase
But it’s going on forty years
I find it best to laugh at myself
Than to drown in all your tears

I’m a cynical jaded realist
A lost and faded lyricist
If on saving me you do insist
Please realize I may resist

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And, if you don't mind, I'll post one more that I wrote back in 2005, about Kurt Cobain:

The Insane Pain of Kurt Cobain

I can’t hide
I’m a lazy shit
With no self-esteem

- esteem is the stem that makes us grow and become

And all I’ve become
Is a lazy shit
With no self-esteem

Where is my magic genie in a lantern?
Where is my blarney stone, so hard to reach?

- inside you is a good soul
Mild-mannered, kind and meek

Yet left alone, inside me
Is a scared child, born a freak

So many lights shine upon me
All for ME, wanting my best
But I grasp that freakin’ spotlight
Point it at me, and screw the rest

Where’s the balance that I dream of
That I sometimes crave inside?
When’s the moment when I love
And forget that I want to hide?

When will forgiveness and acceptance
Come from me, and not from you
When will I take responsibility
Seize my moment, take my cue?

Will it be tomorrow, or on death’s bed
Can you take this sorrow out of my head?
Or do me kindness, and let me be
Let me go quickly so I can’t see
How I am dying, leaving this life
Without a struggle and with no strife
Just passing each day numb as the rest
And giving up all I love the best

- Kurt Cobain felt real pain
And he died a man insane
He thought he cut off all the tears
When he killed off all his years

I won’t give up on this dear life
But I wish to end the fucking strife
What to let go, what to cut
Out of my heart, out of my gut
So I can live right, and be good
So my life is understood

My only gift unto this world
So far has been my rhyming words
Therefore I give this, my lost poem,
And ask that someone get me home

And now I’m laughing at my own words
Fearing that they may be overheard
And someone think that I’m insane
Or reaching out like Kurt Cobain

Cuz I know better -- I wish he had
Known that no matter how bad is bad
Good is just enough to keep us going
To keep hearts beating and love’s light glowing

And so I’ll end this by promising
That my dear life I am not ending
I’m just surmising what’s most important
And that, my friend, is to keep on going

Fight the good fight, do our best
Live it up, but get some rest
Walk the middle road so’s not to stray
Live each moment like your last day

Take your time, don’t volunteer
To end the love, the joy and tears
Your number comes eventually
Please let it happen naturally

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Thank you for both of these, Lisa.

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Thank you for the poetry blog, Justice. And it's Lis, by the way ;)

Your writing is beautiful!

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Thanks... sorry for adding the "a" ... oops!

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I'm sorry for putting my Kurt Cobain poem on the wrong poetry blog, so we're even ;)

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Justice Putnam

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Following: 11
Followers: 28

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  • Website: www.dailykos.com/user/justiceputnam/diary
  • Location SF Bay Area
  • Party Democrat
  • Politics A nod to the Wobblies and the Ham and Egg Movement; Ceasar Chavez and Medgar Evers; Barbara Jordon and Delores Huerta; a dash of west coast autodidact Secular Humorism and a large measure of Paul Wellstone Progressive edicts.

Favorites

  • Favorite Blogs Daily Kos, Firedoglake, Arts and Letters Daily, Editor and Publisher, Nieman Watchdog, Media Matters, TruthOut, Washington Note, Truthdig, FindLaw Commentary, Alternet, Huffington Post, American Prospect, Consortium News, Tom Paine, Blue Oregon, Calitics, Beyond Chron, The Panda's Thumb, SCOTUS Blog, The Project on Government Oversight, Poets Against War
  • Favorite Books "Raids on the Unspeakable" by Thomas Merton, "Martin Eden" by Jack London, "The Fixer" by Bernard Malamud, "The Palm at the End of the Mind" by Wallace Stevens, "The Twelve-Spoked Wheel Flashing" by Marge Piercy, "Little Tales of Misogyny" by Patricia Highsmith, "Spoon River Anthology" by Edgar Lee Masters, "Factotum" and " Ham on Rye" by Charles Bukowski, "Ultramarine" and "Under the Volcano" by Malcolm Lowry, "November Grass" by Judy Van der Veer, "The Snows of Kilimanjaro and Other Stories" and "Selected Articles and Dispatches of Four Decades" by Ernest Hemingway, “The 42nd Parallel” by John Dos Passos, "Sexus" "Nexus" and "Plexus" by Henry Miller, "Desolation Angels" and "The Subterraneans" by Jack Kerouac, “The Big Sky” and "The Big Rock Candy Mountain" by A. B. Guthrie Jr, " Flow My Tears... The Policeman Said" "Do Androids Dream Of Electric Sheep?" and “The Three Stigmata of Palmer Eldridge” by Philip K. Dick, “The Foundation Trilogy” by Isaac Asimov, "Angle of Repose" and "All The Little Live Things" by Wallace Stegner, "Plainsong" by Kent Haruf, "The Missouri Breaks" and "Ninety-two in the Shade" by Thom McGuane, "The Sound of the Mountain" by Yasunari Kawabata, "Bells in Winter" "Visions From San Francisco Bay" and "The Separate Notebooks" by Czeslaw Milosz, "City of Night" by John Rechy, “Aura” by Carlos Fuentes, "The Best of Myles" by Flann O'Brien, "The Woman In The Dunes" by Kobe Abe, "Difficult Loves" by Italo Calvino, "Arctic Dreams" and "Of Wolves and Men" by Barry Lopez, "Scribelrus" by Alexander Pope
  • Favorite Quotes "True artistic freedom can never be a matter of sheer willfulness, or arbitrary posturing. It is the outcome of authentic possibilities, understood and accepted in their own terms, not the refusal of the concrete in favor of the purely interior." --Thomas Merton "Raids On The Unspeakable"/// "A Poet is at the same time a force for Solidarity and for Solitude" --Pablo Neruda

Bio

First a road manager and back-up singer for the rock group, Cottonmouth in the mid-70's, Justice Putnam then re-emerged with the Laguna Beach Free Poets briefly, part of the Los Angeles Art/ Performance/ Poetry/ Dance/ Punk movement during the early 80's. He then performed solo shows and also as a member of Meta-4; then later with the likes of Jimmy McAllister of Rabbit Choir and Chris Watkins of Preacher Boy and the Natural Blues at such venues as Gorky's in Los Angeles, Beyond Baroque in Santa Monica, Cafe du Nord and Biscuits and Blues in San Francisco, Freight and Salvage and The Bison Brewing Company in Berkeley, The Sweetwater in Mill Valley; and also at music festivals in California, Oregon, France, Belgium and Germany. His poetry and prose has been published in Elektrum Magazine, Vol. No. Magazine, American Poetry Anthology, Literatus World Review, Berkeley Daily Planet, San Francisco Chronicle and other academic, small press, print and online journals. A scholar-athlete in his youth, Justice Putnam worked as an orderly, an emergency room technician, a Roustabout and a Production Operator at an oil refinery. He taught History and English in private schools briefly, while coaching football and track. He has been a professional chef and restaurant owner, a surfer, deep-sea fisherman and a Grinder on a racing yacht. He was the co-host with the chanson francaise impresario, Simon Dray, on his "Fm/French Connection Bistro Radio" broadcast from KUSF 90.3 in San Francisco for a number of years. Currently, Justice was empaneled with Nykk Fell of Galaxxy Chamber every second and fourth Wednesdays from 6pm- 7pm on SF/Comcast Channel 29 in San Francisco, California; discussing the events of the day with Richard Rants on his live call-in television show. If not in San Francisco, stream live on the web at accesssf.org, choose Livestream 1 to view and participate. Some old shows are also archived at Richard's website: www.richardrants.com. Residing in the SF Bay Area, Justice has also traveled around the world with a keen interest in literature, music, photography, art and culinary culture; living briefly in France, Italy, Japan and Mexico.

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