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On National Poetry Month: "Art is Sex"


This is intended to be a somewhat continuing series in honor of National Poetry Month. I intend to post this series two or three times a week throughout the month of April with various themes.

The theme for this offering is, "Art is Sex."

In this and each of the offerings, I will present some poetry of note and a few of my own. I would hope that in the comments, a poem that follows the theme, original or one dear to the heart, might be shared.

 

With that, let's continue the series with...

 

 

Art is Sex

 

 


To speak of morals in art is to speak of legislature in sex. Art is the sex of the imagination.

-- George Jean Nathan
"Art," American Mercury (July 1929)

 

 

Out of the arms of one love
and into the arms of another.

-- Charles Bukowski

 
 
 

When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.

I know that they support you,
and that your sweet weight
rises upon them.

Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.

But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.

-- Pablo Neruda
Your Feet

 

 

I know I am but summer to your heart,
And not the full four seasons of the year;
And you must welcome from another part
Such noble moods as are not mine, my dear.
No gracious weight of golden fruits to sell
Have I, nor any wise and wintry thing;
And I have loved you all too long and well
To carry still the high sweet breast of Spring.
Wherefore I say: O love, as summer goes,
I must be gone, steal forth with silent drums,
That you may hail anew the bird and rose
When I come back to you, as summer comes.
Else will you seek, at some not distant time,
Even your summer in another clime.

-- Edna St. Vincent Millay
I Know I Am But Summer To Your Heart

 

 

You open to me
a little,
then grow afraid
and close again,
a small boy
fearing to be hurt,
a toe stubbed
in the dark,
a finger cut
on paper.

I think I am free
of fears,
enraptured, abandoned
to the call
of the Bacchae,
my own siren,
tied to my own
mast,
both Circe
and her swine.

But I too
am afraid:
I know where
life leads.

The impulse
to join,
to confess all,
is followed
by the impulse
to renounce,

and love--
imperishable love--
must die,
in order
to be reborn.

We come
to each other
tentatively,
veterans of other
wars,
divorce warrants
in our hands
which we would beat
into blossoms.

But blossoms
will not withstand
our beatings.

We come
to each other
with hope
in our hands--
the very thing
Pandora kept
in her casket
when all the ills
and woes of the world
escaped.

-- Erica Jong
Middle Aged Lovers, II

 

 

Now who could take you off to tiny life
In one room or in two rooms or in three
And cork you smartly, like the flask of wine
You are? Not any woman. Not a wife.
You'd let her twirl you, give her a good glee
Showing your leaping ruby to a friend.
Though twirling would be meek. Since not a cork
Could you allow, for being made so free.

A woman would be wise to think it well
If once a week you only rang the bell.

-- Gwendolyn Brooks
The Independent Man

 

 

The First Time

by

Justice Putnam

 

footballfridayafternoon
momanddaddownthehall
intheirroom

mustbequiet
orwillbefoundout

whyispleasure
suchdoom?

(Fullerton, California 1975)

 

 

Cupid and Psyche

by

Justice Putnam

 

Alabaster wings
And a passionate embrace

A kiss and then
The longing.

The mind swoons
In erotic dream

Angel-like
And electricity.

(Montmorancy, France 1994)

 

Compulsory Surrender

by

Justice Putnam

 

Slow thoughts
Slipping into the stream
Sunlit crystal memory
Sliding
Moving

Feeling her firm breasts
With my tongue
Kissing her firm lips
With my fingers

Moaning
Crying
Laughing

Gasping the words
Of whispers and
Silhouetted
Silent intent

Greens and reds
Before my eyes
Her eyes pleading
Penetrating to my soul

Her head thrown back
Hips quivering
Wet

Could any journey
Be more real and now?

(Mill Valley, California 1986)

 

Testament

by

Justice Putnam

 

Angular lines and dark hair
Feline eyes and crimson lips

A scent of the Oranges
Of Hieronymous Bosch

The music of her Heart
The ecstasy of her Touch.

The fullness of her Mind
The sky of her eyes

A warm breeze
On the hills

At the end
Of Time.

The coolness of her breath
And the sweetness of her kiss

Can change a world at war
Into a Universe of bliss.

So why oh brothers
Why can't we see?

That to simply know her
Is to know infinity.

(San Francisco, California 2007)

 

The Truth Be Told

by

Justice Putnam

 

I would worship
Your beautiful feet
Massage each tired
But receptive toe.

I would press and knead
And rub
Then kiss
And worship
Your feet as though

Your feet are
The pinnacle
Of Beauty

Sent from Heaven
And should be
Exalted so.

But I really
Should tell you
What I really
Think

And I really
Must confess

I only worship
Your beautiful feet

Because I worship
Your perfect breasts.

I would worship
Your breasts
As I kissed
The small
Of your back

I would worship
Your breasts
As I touched you
So that

I would worship
Your breasts
As I kissed
You on
The lips

I would worship
Your breasts
As I caressed
Your smooth
Round hips

But as I've worshipped
Your breasts

Not as some
Timeless Art

Or some primitive
Fetish carved
In a Burmese
Valley

Or found
On some
Distant rampart.

As I've worshipped
Your breasts

Without any
Sense of Time

I found I worshipped
Much more than that

I worship

Your Heart
Your Soul
Your Mind.

And though
I've never
Kissed your feet

The small
Of your back

Or anything
In between

I must admit
To being
A little weak

I must admit
What I
Really think

And I really
Must confess

I still dream
Of kissing
Your beautiful feet

And I still worship
Your perfect breasts.

(Berkeley, California 2006)

 

An Oil Lamp Turned Low

by

Justice Putnam

 

Warm breath blessed
Etched against
The palace of her skin

Burn in that grace
Embraced
Cradled in her
Soft fragrance

Like a slow boat rocking
Or the steady yellow flicker
Of an oil lamp
Turned low

See her
Kneeled over
Feel the dance
Of her small cries

Forgotten doors and windows
Between the moon and time

Her open eyes
The smell of her hair

An oil lamp
Turned low

(Bastia, Corsica 1985)

 

 

© 2009 by Justice Putnam
Fleur de Sel Musique
and Mechanisches-Strophe Verlagswesen

 

37 Comments

| Leave a comment
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This is really fine, fine. Of course now I have to go into the other room for a 'nap'. Remembrances of things past. hahahaha

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I keep forgetting to hit the reply to prompt, there's one below...

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Well ok then!

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I got bupkiss for sex poetry, Justice. I am enjoying this series lots and lots though, and look forward to the next topic.

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It can be about art or anything that stimulates, so to speak. Just reading is fine, as well. thanks for stopping by!

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I'll happily contribute:

Sleep, Is That What a Bed is For?

Keep on rocking me
in this cradle
on the bough
Don’t stop now

In the night
your heated touch
whispers to me
says so much

Lick my sunshine
taste my smile
Linger here
and stay a while

Don’t let go
or fly away
Save commitments
for another day

Oh so slowly
fill my cup
Take me higher
so far up

That I can’t breathe
and start to die
Make me wonder
make me cry

- Lis Baumann, 2005

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I guess she answered the question of the title of her poem!

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LOL! I guess!!

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I slept under rhododendron
All nightblossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deepin my pockets
Barelyableto sleep.
I rememberedwhen we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teachschool back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open
I think backwhen I had you.

-- Gary Snyder
"Siwashing It Out Once in Suislaw Forest"

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I do have a favorite on this, er, subject.

The Fish

IN a cool curving world he lies

And ripples with dark ecstasies.

The kind luxurious lapse and steal

Shapes all his universe to feel

And know and be; the clinging stream

Closes his memory, glooms his dream,

Who lips the roots o’ the shore, and glides

Superb on unreturning tides.

Those silent waters weave for him

A fluctuant mutable world and dim,

Where wavering masses bulge and gape

Mysterious, and shape to shape

Dies momently through whorl and hollow,

And form and line and solid follow

Solid and line and form to dream

Fantastic down the eternal stream;

An obscure world, a shifting world,

Bulbous, or pulled to thin, or curled,

Or serpentine, or driving arrows,

Or serene slidings, or March narrows.

There slipping wave and shore are one,

And weed and mud. No ray of sun,

But glow to glow fades down the deep

(As dream to unknown dream in sleep);

Shaken translucency illumes

The hyaline of drifting glooms;

The strange soft-handed depth subdues

Drowned colour there, but black to hues,

As death to living, decomposes—

Red darkness of the heart of roses,

Blue brilliant from dead starless skies,

And gold that lies behind the eyes,

The unknown unnameable sightless white

That is the essential flame of night,

Lustreless purple, hooded green,

The myriad hues that lie between

Darkness and darkness!…

--Rupert Brooke

At least, I think it has something to do with tit.

=D

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IT!!

I meant it.

Seriously. It.

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ROTFLMAO
YOU rawk, Bwak!


And also....a great poem by Rupert Brooke!

And also, too...LisB's ain't bad either!

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Freudien, isn't it?

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Quite! Short, but it says so much!!

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Yes, poetry can be found everywhere!

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The poem or the typo?

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the typo; there was nothing reductionist like freudiinism. about the poem...

but your typo got me to thinking... since I have a passing interest in entymology; if in old english, "to it," could be contracted in colloquial speech as, "t'it."

That would be really freudian.

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What Lips My Lips Have Kissed,
and Where, and Why

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little whilte, that in me sings no more.

- Edna St. Vincent Millay

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Edna St Vincent Millay is one of my faves, thanks!

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Mine too! Thank YOU so much for a great run of poetry blogs, I really enjoy your writing and all the poems people have posted.

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It is good to see poetry embraced...

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The Profile on the Pillow

After our fierce loving
in the brief time we found to be together
you lay in the half light
exhausted, rich,
with your face turned sideways on the pillow,
and I traced the exquisite
line of your profile, dark against the white,
delicate and lovely as a child's.

Perhaps
you will cease to love me,
or we may be consumed in the holocaust,
but I keep, against the ice and the fire,
the memory of your profile on the pillow.

- Dudley Randall

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Well, is it cheating to use song lyrics? Maybe just this once? Okay, I'm gonna cheat with song lyrics but I won't do it again, I promise. And what is it with me and daffodils, anyway?

Songs From the Wood - Jethro Tull.

Velvet Green
lyrics by
Ian Anderson

Walking on velvet green. Scots pine growing.
Isn't it rare to be taking the air, singing.
Walking on velvet green.
Walking on velvet green. Distant cows lowing.
Never a care: with your legs in the air, loving.
Walking on velvet green.
Won't you have my company, yes, take it in your hands.
Go down on velvet green, with a country man.
Who's a young girls fancy and an old maid's dream.
Tell your mother that you walked all night on velvet green.
One dusky half-hour's ride up to the north.
There lies your reputation and all that you're worth.
Where the scent of wild roses turns the milk to cream.
Tell your mother that you walked all night on velvet green.
And the long grass blows in the evening cool.
And August's rare delight may be April's fool.
But think not of that, my love,
I'm tight against the seam.
And I'm growing up to meet you down on velvet green.
Now I may tell you that it's love and not just lust.
And if we live the lie, let's lie in trust.
On golden daffodils, to catch the silver stream
that washes out the wild oat seed on velvet green.
We'll dream as lovers under the stars ---
of civilizations raging afar.
And the ragged dawn breaks on your battle scars.
As you walk home cold and alone upon velvet green.
Walking on velvet green. Scots pine growing.
Isn't it rare to be taking the air, singing.
Walking on velvet green.
Walking on velvet green. Distant cows lowing.
Never a care: with your legs in the air, loving.
Walking on velvet green.

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Gorgeous, Flower. Jethro Tull is great. That's a nice, inspired addition to this very great thread.

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it's not cheating since many of my more lyric poems (and some I have shared during this series) have been turned into songs; and there is much poetry to be found in song lyrics.

and anyway, Songs from the Wood is a poem...

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Until now
There was me alone
Until now
There were no dirty bras in my laundry
Until now
There was no makeup in my medicine cabinet

No laughing eyes
Looking deeply into mine
No silken hair
To run my fingers through
No girlish hip curve
For me to lovingly caress

No stop to my open
No pause to my free reign

No reason to get out of bed
No reason to stay in bed

No you

Until now

===============

I will never love you
As much as I love you, (the you I dream of)
I will never feel as comforted by you
As I do by you, (the you I dream of)
The joy that sings from my heart when I'm with you, is silence compared to the joy given to me minute by minute by you,
(the you I dream of)

And the truth is,
I will never need you
As much as I need you (the you I dream of)

===========================

The key phrase,
having been uttered,
unlocks the automatic time portals,
And my mind steps obediently into the past,
engulfed in the passions of earlier romantic pursuits,
only to be brought back to the present,
with a head-snapping suddeness,
by your silence and the intensity of your gaze.

I pretend not to be startled,
But your growing smile,
tells me that you know,
exactly where I've been.

===========================

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Beautiful work!!!

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Very nice!

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You must haz a little D. H. Lawrence.

Liaison

A big bud of moon hangs out of the twilight,
Star-spiders spinning their thread
Hang high suspended, withouten respite
Watching us overhead.

Come then under the trees, where the leaf-cloths
Curtain us in so dark
That here we're safe from even the ermin-moth's
Flitting remark.

Here in this swarthy, secret tent,
Where black boughs flap the ground,
You shall draw the thorn from my discontent,
Surgeon me sound.

This rare, rich night! For in here
Under the yew-tree tent
The darkness is loveliest where I could sear
You like frankincense into scent.

Here not even the stars can spy us,
Not even the white moths write
With their little pale signs on the wall, to try us
And set us affright.

Kiss but then the dust from off my lips,
But draw the turgid pain
From my breast to your bosom, eclipse
My soul again.

Waste me not, I beg you, waste
Not the inner night:
Taste, oh taste and let me taste
The core of delight.

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Sweet!!! I love D. H. Lawrence. Oy....

*fans self*

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Reply below...

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i'll see your Lawrence and raise you one Rilke:

Some day, if I should ever lose you, will you be able then to go to sleep without me softly whispering above you like night air stirring in the linden tree?

Without my waking here and watching
and saying words as tender as eyelids
that come to rest weightlessly upon your breast,
upon your sleeping limbs, upon your lips?

Without my touching you and leaving you
alone with what is yours, like a summer garden
that is overflowing with masses
of melissa and star-anise?

-- Rainer Maria Rilke
"Slumber Song"

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Niiiiiiice...

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Justice P, thank you very much for sharing. "Art is the sex of imagination." I love that. "Whyispleasure suchdoom." Awesome!

Here is something brief I wrote in 2003 during a difficult time of self-absorbtion. I think it's relevant since egoism is like sex with oneself.

The world swallowed
by my mind;
it is mine.
Falling down a well and
looking to the surface
as the sun spins.
Further and further
away from the opening.
Deeper and deeper
the opening follows.

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thanks... I've suffered more than enough moments of my own self-absorption.

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I echo the thanks for the homage to poetry (a relief from the sniping over important, but divisive issues- mea culpa, too). I saw this post a couple of hours ago and decided to try and write something even though everyone here seems to be proficient at this (beautiful stuff all around) and I'm not a poet or writer of anything (piddling around lately). Still, that's never kept me from posting my idiocies on any other subject, so... Believe it or not, I tried to address your prompt (art and sex) here:

Diving off the faded teak deck
Blue flash of ocean-sky and
Heaven-sea and
Endless deserted horizon
Mine, the sole vessel, not a bird
Not a voice

Only the solitude of
The wind, awesome aloneness

Does life still exist?
Do we end alone like this?

Gashing the surface
As much a shock to the still water as
To the body
A baptism obliterating
wavering clouds and aqua sky

Bracing splashing cool
Immersion, beyond invigorating
A revival or really no more
Than a soft step on the crisp floor
Of a dark and pungent forest?

The solid earth is for burial and rot
Discarded vessels, once of sound wood
That sail no more
Names, mostly of loved-ones
Fading: Gypsy Queen, Paradise Bound, Destination Unknown, Buena Suerte, And the Living is Easy, Godspeed, Sweet Jane
They shall be resurrected, too, in eons
Not days

Spirit is
Fluid and cannot be held
Love is
Living not dying
The sea is
An ocean of souls entered through merging
Of self becoming reflection

Plunging into the water, collapsing into your own
Image as crossing
The threshold
Of the mirror’s frame
You reflect your own reflection

I am the reflection of you
You of me
Make one of two become
None in all
Tumbling into another world
Engulfed


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PS Every time I've tried to check your blog list before it returned garbled script, but I just found the other entries. Was Fish Friday the first of the series? I really liked the poem, “Japanese Glazed Chilean Sea Bass With A Costa Rican Spicy Mango, Orange & Cilantro Salsa.” I seem to miss most of the good posts here. Anyway, great stuff (and I really like Cupid and Psyche above). Wow. Thanks again for doing this series.

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Justice Putnam

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  • Website: www.dailykos.com/user/justiceputnam/diary
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  • Politics A nod to the Wobblies and the Ham and Egg Movement; Ceasar Chavez and Medgar Evers; Barbara Jordon and Delores Huerta; a dash of west coast autodidact Secular Humorism and a large measure of Paul Wellstone Progressive edicts.

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  • Favorite Blogs Daily Kos, Firedoglake, Arts and Letters Daily, Editor and Publisher, Nieman Watchdog, Media Matters, TruthOut, Washington Note, Truthdig, FindLaw Commentary, Alternet, Huffington Post, American Prospect, Consortium News, Tom Paine, Blue Oregon, Calitics, Beyond Chron, The Panda's Thumb, SCOTUS Blog, The Project on Government Oversight, Poets Against War
  • Favorite Books "Raids on the Unspeakable" by Thomas Merton, "Martin Eden" by Jack London, "The Fixer" by Bernard Malamud, "The Palm at the End of the Mind" by Wallace Stevens, "The Twelve-Spoked Wheel Flashing" by Marge Piercy, "Little Tales of Misogyny" by Patricia Highsmith, "Spoon River Anthology" by Edgar Lee Masters, "Factotum" and " Ham on Rye" by Charles Bukowski, "Ultramarine" and "Under the Volcano" by Malcolm Lowry, "November Grass" by Judy Van der Veer, "The Snows of Kilimanjaro and Other Stories" and "Selected Articles and Dispatches of Four Decades" by Ernest Hemingway, “The 42nd Parallel” by John Dos Passos, "Sexus" "Nexus" and "Plexus" by Henry Miller, "Desolation Angels" and "The Subterraneans" by Jack Kerouac, “The Big Sky” and "The Big Rock Candy Mountain" by A. B. Guthrie Jr, " Flow My Tears... The Policeman Said" "Do Androids Dream Of Electric Sheep?" and “The Three Stigmata of Palmer Eldridge” by Philip K. Dick, “The Foundation Trilogy” by Isaac Asimov, "Angle of Repose" and "All The Little Live Things" by Wallace Stegner, "Plainsong" by Kent Haruf, "The Missouri Breaks" and "Ninety-two in the Shade" by Thom McGuane, "The Sound of the Mountain" by Yasunari Kawabata, "Bells in Winter" "Visions From San Francisco Bay" and "The Separate Notebooks" by Czeslaw Milosz, "City of Night" by John Rechy, “Aura” by Carlos Fuentes, "The Best of Myles" by Flann O'Brien, "The Woman In The Dunes" by Kobe Abe, "Difficult Loves" by Italo Calvino, "Arctic Dreams" and "Of Wolves and Men" by Barry Lopez, "Scribelrus" by Alexander Pope
  • Favorite Quotes "True artistic freedom can never be a matter of sheer willfulness, or arbitrary posturing. It is the outcome of authentic possibilities, understood and accepted in their own terms, not the refusal of the concrete in favor of the purely interior." --Thomas Merton "Raids On The Unspeakable"/// "A Poet is at the same time a force for Solidarity and for Solitude" --Pablo Neruda

Bio

First a road manager and back-up singer for the rock group, Cottonmouth in the mid-70's, Justice Putnam then re-emerged with the Laguna Beach Free Poets briefly, part of the Los Angeles Art/ Performance/ Poetry/ Dance/ Punk movement during the early 80's. He then performed solo shows and also as a member of Meta-4; then later with the likes of Jimmy McAllister of Rabbit Choir and Chris Watkins of Preacher Boy and the Natural Blues at such venues as Gorky's in Los Angeles, Beyond Baroque in Santa Monica, Cafe du Nord and Biscuits and Blues in San Francisco, Freight and Salvage and The Bison Brewing Company in Berkeley, The Sweetwater in Mill Valley; and also at music festivals in California, Oregon, France, Belgium and Germany. His poetry and prose has been published in Elektrum Magazine, Vol. No. Magazine, American Poetry Anthology, Literatus World Review, Berkeley Daily Planet, San Francisco Chronicle and other academic, small press, print and online journals. A scholar-athlete in his youth, Justice Putnam worked as an orderly, an emergency room technician, a Roustabout and a Production Operator at an oil refinery. He taught History and English in private schools briefly, while coaching football and track. He has been a professional chef and restaurant owner, a surfer, deep-sea fisherman and a Grinder on a racing yacht. He was the co-host with the chanson francaise impresario, Simon Dray, on his "Fm/French Connection Bistro Radio" broadcast from KUSF 90.3 in San Francisco for a number of years. Currently, Justice was empaneled with Nykk Fell of Galaxxy Chamber every second and fourth Wednesdays from 6pm- 7pm on SF/Comcast Channel 29 in San Francisco, California; discussing the events of the day with Richard Rants on his live call-in television show. If not in San Francisco, stream live on the web at accesssf.org, choose Livestream 1 to view and participate. Some old shows are also archived at Richard's website: www.richardrants.com. Residing in the SF Bay Area, Justice has also traveled around the world with a keen interest in literature, music, photography, art and culinary culture; living briefly in France, Italy, Japan and Mexico.

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