Morgan le Fay, Hillary Clinton, and the Legend of Women
The centuries-old story of Morgan le Fay has evolved over a thousand years, different in each retelling. The first time she is introduced to us in the Arthurian legend is as a healer, the woman who saves Arthur in his dying days. Her true roots of course, lie deeper than that, in Celtic myth and tradition and culture. The Goddess. Woman as the Giver of Life, the Keeper of Knowledge. Over time, particularly in light of the spread of Christianity, her character takes on much darker sides. She betrays Arthur in her own quest for power. She is an evil sorceress who uses dark magic to try to defeat "great Christian" figures. Her enchantment of many sexual partners is as a result of deceitful charms. And yet as all these characters, she is never truly evil. In many of the renditions, the story of her healing Arthur at the end remains, despite much of her life spent in betrayal of him.
As the legend grows, story lines merge and evolve with the times, but in most of them, one commonality remains: the point of view. Almost all of the various attempts at recreating the Arthurian legend are the story of man. King Arthur. The Knights of the Round Table. Lancelot. Galahad. Merlin. Marion Zimmer Bradley retells the story from a new perspective: that of the women in the tale. Her brilliant rendition of the long-told saga is revolutionary in its ability to recapture the essence of the story from a completely different angle. The women who were once portrayed as the antagonists become protagonists, women who were once portrayed as the essence of virgin-like good become the tale of a weak-minded woman, and she masterfully captures the struggle over divinity as masculine or feminine.
The story of Morgan le Fay, in all its revisions and incarnations, embodies all that women have been perceived as at various points in history: sister, lover, wise, foolish, enchanting, deceiving, warrior, peacemaker, healer, witch, goddess, nymph, mother, mistress, old, young, beautiful, ugly, good, evil.
"For this is the thing the priests do not know, with their One God and One Truth: that there is no such thing as a true tale. Truth has many faces and the truth is like the old road to Avalon; it depends on your own will, and your own thoughts, whither the road will take you, and whether, at the end, you arrive in the Holy Isle of Eternity or among the priests with their bells and their death and their Satan and Hell and damnation." (Morgan le Fay in Marion Zimmer Bradley’s The Mists of Avalon)
And so it is with the legend of woman. The truth of her story, and of the female legend, exists only as a reflection of an era's perception of women and spirituality and power and sexuality. As is the case with most legends, the story becomes one of circumstances and eras, and less of an impression of the original truth.
Just as Morgan le Fay has represented the many faces of women, so has Hillary Clinton. How is it that so many people can have so many different impressions of these women?
What fascinates me is the fascination with everything Clinton that has existed long before her candidacy began and I suspect will long outlast this election, so long as she is a presence on the national scene. Every great story has female characters that represent the good and the bad. Perhaps this is why the story between Barack Obama and Hillary Clinton seemed to garner so much attention and passion. She is the hero and the villain.
I wonder, 1000 years from now, what the story of Morgan le Fay will look like. If it will have collected any of the perceptions of now, any of the circumstances of Hillary Clinton’s candidacy. Will they know the truth of it all? Or will they recognize the many truths of it all?
I have no answers. Only questions. So I open to you…












